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XL Video supplied a 20m x 4.8m landscape curved
Soft-LED backdrop and Catalyst digital media server
control system for Irish comedian Dara O’Briain’s
DVD shoot at the Theatre Royal, Drury Lane, London
for Open Mike Productions. XL also provided a
complementary and attractive background.
 Series Producer Alex Hardcastle specifically
wanted a simple screen effect with abstract effect
and colors. He wanted about eight or 10 different
color states that could slowly morph throughout the
show, matching his cues for the two acts and encore.
“Open Mike specifically wanted controllable,
changing color states with different intensities
across the screen, as opposed to solid colors,”
explains XL’s Al Green.
Another reason for using SoftLED was to create a
modern take on the retro ‘multi lightbulb’ backdrop
effect which has become iconic to classic comedy TV
recordings in the past.
XL also supplied Simon Pugsley to program and
operate the Catalyst using a Hog PC system, and
SoftLED technician Icarus Wilson-Wright. “Open Mike
wanted a classical but flexible comedy/cabaret-style
look, and the Soft-LED/Catalyst was an ideal and
versatile way of producing it,” says Pugsley.
Everything was rigged the same day for rehearsals
in the afternoon and the recorded show that evening,
so the SoftLED’s easy rigging capabilities were a
great advantage. It took them approximately two
hours to attach and line up the cloth sections to a
series of wooden scenic supports, which formed a
gentle curve around the back of the stage. Then it
was 10 minutes to plug up and about two hours
programming time, resulting in a versatile set of
completely unique content and looks for the show.
Al Green states, “A combination of Open Mike’s
understanding of how SoftLed/Catalyst works on
camera in theatre, XL’s pilot content – rendered in
Final Cut Pro from video footage of wind-blown silk
- and source material from the Catalyst’s onboard
library created the elusive result we sought. It was
well-conceived video designed to be subtle,
complementary and abstract”.
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